With a title like that, first of all, shame on you for clicking on this article. Of course, let me get all philosophical on you and turn things around by saying there is no such thing as an unbiased review of a movie. You don't read someone's opinions on art to exclude bias, but there's a lot leading to this particular bias. First of all, you've got the Tim Burton bias. Burton was once considered one of the great new minds in Hollywood, then 2001 happened and he spent a decade working on movies that were heartless and came off more like a Tim Burton impersonator than Burton himself. Then, this year, things changed and we're now seeing that old Burton that used to actually tell amusing and entertaining stories through his warped mind. Perhaps it's no coincidence that it's now that his films have finally stopped making money as well.
Pictured above is the guy, a weirdo if there ever was one. I don't mean that in a bad way at all. His weirdness was much of what made him such an interesting filmmaker in his early days, and
Frankenweenie brings the heart back to his fantasy world. This is the
Edward Scissorhands filmmaker we once loved, back with more to say.
Frankenweenie is a stop motion film about a young boy named Victor Frankenstein (voiced by Charlie Tahan). Victor is one of many strange children in his class, but he's probably the least social. He's a genius and aspiring filmmaker, making stop motion disaster films in his basement with his one true friend, his dog Sparky. When Sparky gets tragically run over, Victor's world is all but ruined. He is saved only by the inspiration his kooky science teacher Mr. Rzykruski (voiced by Martin Landau) to do exactly what you'd expect given his name and the name of the film. With the power of lightning and science, Victor resurrects the corpse of Sparky. From here, things play out in a rising tension as things get quickly out of hand and things fall into a climax that serves as a perfect conclusion as well as a wonderful homage to the early horror films of Hollywood.
There's a lot this film says actually, though I'm not entirely convinced Burton was reaching for a whole lot more than simply telling a poignant and entertaining story. I suspect there's a lot of personal emotion brought into the story. This is a complete hunch, but I wouldn't be at all surprised to learn that young Tim, an aspiring filmmaker, was forced to play sports by his father, and his dog got run over. It also wouldn't completely catch me off guard if Tim Burton spent his free time playing with corpses, but that's just because he's really into having his characters look either pale and emaciated or completely obese. Death clearly has been an inspiration to his strange visual style throughout the years. The personal aspect of the film was no doubt intentional, but this brings me to my second bias as I sit down to write this review. My own dog, which I'd had for 16 years, died the day after I saw
Frankenweenie.
To some extent, the way Burton's animation managed to capture the realistic movement and actions of a dog in Sparky, both alive and dead, makes the heartbreak so much more intense during the death and the subsequent pain Victor goes through. Burton's characters, for the first time since the early 90s, aren't quite realistic, but the emotional core of the film is easily to relate to, whether you've had a pet die or not. It's sad when it needs to be, but it doesn't wallow in despair. Victor is not the Victor Frankenstein of Mary Shelley's famous novel; as a result, he reanimates his dog out of love, not because he wants to be a god. This contrast is not lost in the film, however, as some competitive members of the community do follow the wrong path here, creating for the sake of creating, to disastrous but ultimately funny consequences. The love of a pet and the love of scientific exploration are hardly deep themes, yet I couldn't help but feel the film is just as much about capturing the emotions a young child has upon seeing the classic monster movies.
There are overt references to
Frankenstein, Frankenstein's Bride, Dracula, The Wolfman, and even
Godzilla to name the main ones. Like the above films,
Frankenweenie is a black and white film about monsters, though it's certainly not a monster movie. These films inspired Burton not just on this film, but in the creation of his own Gothic cinematic style, and seeing this manifest here is quite fascinating. A twisted cinephile may consider this the companion piece to Paul Thomas Anderson's
The Master, a film also about a dog and his master and the love they share for each other, though not quite as overtly.
Though the sum of
Frankenweenie's parts may not add up to some great statement about the human condition or society, it's a wonderful look into the brain of Tim Burton and a very sweet story, even if it is full of strange people and monsters. My personal loss will probably end up leaving a much more emotional connection with the film that I'd otherwise have, but there is a lot to this movie that is absolutely wonderfully put together. It contains perfect performances, great black and white animation, and a story that's got something for everyone. If nothing else, I hope this becomes a regular Halloween favorite for youngsters who aren't quite ready for the real scary movies that paved the way for
Frankenweenie to exist.
8/10
